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Logistics

Packing acrylic so it arrives undamaged: what actually works

Almost every transit-damaged acrylic part was damaged because it could move inside its packing, or because something rested on its face. Both are preventable.

~1,500 words · 8 min read · Updated 2026-11-10

Acrylic is light, stiff and scratches easily. That combination makes it easy to ship cheaply and easy to damage expensively. The three failure patterns are movement inside the packing, load on a face, and unprotected corners.

The three failure patterns

How acrylic gets damaged in transit
PatternWhat it looks like on arrivalCause
MovementChipped corners, scuffed edges, parts out of positionPacking too large, or no internal restraint
Face loadScratches or a crack across the middle of a panelSomething stacked on the carton, or parts packed flat with weight above
Corner impactA broken or chipped cornerNo corner protection, or the part on the outside of the pack
Edge chippingSmall chips along an edgePanels packed without interleaves, sliding against each other
Film damageTorn or missing film on one faceFilm applied to one side only, or removed in transit
MoisturePaper interleaves stuck to the face, print transferCardboard or paper packed damp, or stored in a humid container

Crate or carton

Under 600 mm, flat, light
A double-wall carton with foam interleaves is adequate and much cheaper to ship.
600 to 1,200 mm
A carton with a rigid baseboard, or a light crate. Cartons flex, and the flex is what breaks corners.
Over 1,200 mm, or any bonded assembly
A plywood crate. Panels vertical, separated, corner blocks, no movement possible.
Multi-part set
A crate packed in assembly sequence, each part labelled with its reference.
Air freight
Crates must take pallet handling and pressure changes; film can lift at altitude and needs venting.

Film

  • Film on both faces, always. A part with film on one face will arrive with the unfilmed face scratched.
  • Low-tack film on printed faces, so removal does not lift the ink.
  • Film stays on until installation. Removing it on the dock to check the part is how it arrives scratched.
  • For long sea transit, tell us the transit time; film adhesive can cure on a hot container and become difficult to remove.

Interleaves and corner protection

Every part in a stack is separated by a foam or corrugated interleaf. Every corner on a panel over 300 mm is protected with a foam or plastic corner block. The corner is where the energy of an impact arrives, and an unprotected corner on a 1,200 mm panel will chip under a knock that would not mark the face.

Labelling

A crate with no label is a crate that gets opened, emptied and repacked wrongly. Every crate carries the following on the outside.

  1. The customer reference and the order number.
  2. The store, site or assembly reference for a rollout.
  3. The part references inside, as a list on the outside.
  4. Handling marks: this way up, do not stack, fragile.
  5. The crate number and total, for a multi-crate consignment.

What to do when a delivery arrives damaged

  1. Photograph the crate before opening. The external condition is what a freight claim rests on.
  2. Photograph the parts in place, before removing them.
  3. Photograph the damage close up, including the break faces.
  4. Send all three sets with the packing list. The break face tells whether the failure is fresh, bright and sharp, or old, dull and discoloured.

We photograph every part before packing for exactly this reason: a condition dispute is resolved from evidence rather than from memory, and it usually takes one exchange rather than two weeks.

Packing for a rollout

For a multi-store programme, packing is part of the service rather than an afterthought. Parts are packed per store, the carton is labelled with the store number, and a pack list is inside with a manifest summary outside. This removes the sorting step at the distribution centre, which is where most rollout damage happens, not in transit but in double handling.

Questions this article answers

Up to about 600 mm and a light part, yes, with interleaves and corner protection. Above that a carton flexes and corners break, so a crate or a rigid baseboard is needed.

No. Film stays on until installation. It is the only protection the face has in transit and on site.

Vertical in a crate, separated by interleaves, with corner blocks. A panel shipped flat under load will crack or scratch, and a large crate shipped flat cannot be handled safely.

Photograph the crate, the part in place and the break faces, and send them with the packing list. We replace transit damage, and the photographs make it a single exchange.

Yes, drop-shipped per site with the store number on the carton, or consolidated to a distribution centre. We quote both because the cheaper freight option is not always the cheaper outcome.

What packing costs, and where it stops paying for itself

Packing is quoted as a line item and argued about more than any other. The useful way to look at it is as a ratio to the value of what is inside the carton, because that ratio is what decides whether the specification is sensible.

Packing cost as a share of goods value, by protection level
LevelWhat it isTypical share of goods valueWhen it is right
1 — BulkPoly bag, single-wall carton, no interleave 1–3%Flat parts going to a workshop that will process them further
2 — Standard exportPE film, foam interleave, corner protectors, double-wall carton 3–6%Most bonded assemblies and anything with a polished face
3 — Retail-readyIndividually boxed, printed insert, barcode label, master carton 8–15%The carton goes on a shelf or into a fulfilment centre
4 — CratedPlywood case, foam-lined, bolted to a pallet base 12–25%Single large panels, mirrors, anything over 1.5 m on the diagonal

The ratio moves with part value, not with size. A 300 mm light-guide panel worth USD 40 needs level 3 packing because a scratch makes it scrap; a 600 × 400 mm opaque divider worth USD 6 needs level 2 at most, and spending level 3 money on it is a 10% price increase for protection nobody asked for. The question to settle with your buyer is not "how much packing" but "what does a damaged unit cost us at the other end".

Two things push a job up a level and are worth flagging early. First, edge-polished faces: a polished edge is the most damage-prone surface on any acrylic part, and it needs interleave even when the rest of the part does not. Second, anodised or printed hardware: a rivet head that rubs through film in transit produces a complaint on arrival that no inspection at our end would have caught.

What we will not do is quietly upgrade the packing and put it in the price. If a job reads as level 2 and you have had damage before, we will say so and quote level 3 as a separate line, so you can see what the extra protection costs before deciding.

Tell us the route, not just the address

Sea, air or road, how many handling points, and how long it will be stored: each changes how we pack.

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